Museum Mayer van den Bergh: Lucas Cranach de oudere

GidsMuseumMayerVanDenBerghAntwerpen

De twee paneeltjes die ik gisteren in Antwerpen zag
in Museum Mayer van den Bergh komen niet voor in hun top 10 Quicktour
en ook niet in bovenstaande gids.
Persoonlijk vind ik dat onbegrijpelijk.
Misschien zijn de werken niet groot maar
ze zijn prachtig.
Het gaat om de volgende twee werken:

LucasCranachTheElderStCatherineOfAlexandria

Lucas Cranach the elder (de oudere), St. Catherine of Alexandria.


LucasCranachTheElderStBarbara

Lucas Cranach the elder, St. Barbara.


Kunstvaria

 photo BarbaraTakenagaBlueSplash2013AcrylicOnLinen.jpg

Barbara Takenaga, Blue splash, 2013, acrylic on linen.


 photo BoscoSodiUntitled2012MixedMediaOnCanvas.jpg

Bosco Sodi, Untitled, 2012, mixed media on canvas.


 photo BronzeFigureOfParvatiSouthIndiaCholaPeriodCirca1100.jpg

Bronze figure of Parvati, South India, Chola period, circa 1100.


 photo FransHalsTheSmokerDeRokerC1623ndash25OilOnWood.jpg

Frans Hals, The smoker (De roker), circa 1623 – 1625, oil on wood.


 photo GerhardRichterGreen-Blue-Red1993OilOnCanvas.jpg

Gerhard Richter, Green-Blue-Red, 1993, oil on canvas.


 photo KazimirMalevichSelf-Portrait1908Or1910-1911GouacheOnPaper.jpg

Kazimir Malevich, Self-portrait, 1908 or 1910 – 1911, gouache on paper.


 photo LucasCranachTheElderAdorationOfChristOilOnCanvas.jpg

Lucas Cranach the Elder, Adoration of Christ, oil on canvas.


 photo LucasCranachTheElderPortraitOfDesideriusErasmusC1530-36OilOnPanel.jpg

Lucas Cranach the Elder, Portrait of Desiderius Erasmus, circa 1530 – 1536, oil on panel.


 photo MasterOfJacquesDeBesanccedilonMassOfStGregoryAbout1500TemperaColorsInkAndGoldOnParchment.jpg

Master of Jacques de Besancon, Mass of St Gregory, about 1500, tempera colors, ink and gold on parchment.


 photo Millefleur-Star-Lattice-carpetLate17thEarly18thCenturyMughalIndia.jpg

Millefleur-Star-Lattice-carpet, late 17th – early 18th century, Mughal, India.


 photo NickBrandtRangerWithTusksOfKilledElephantAmboseli2011ArchivalPigmentPrint.jpg

Nick Brandt, Ranger with tusks of killed elephant, Amboseli, 2011, archival pigment print.


 photo SuShiDongrsquopoMeaningEasternSlopeTheGongFuTieCalligraphy1037-1101.jpg

Su Shi (ook Dongpo genoemd, wat betekent Eastern Slope of oostelijke helling) The Gong Fu Tie Calligraphy, 1037 – 1101.

Su Shi
Su Shi, who is also sometimes known as Dongpo,
was born in Sichuan province to a family of preeminent literatis.
As a young prodigy he came to the attention of Emperor Renzong (1010-1063),
and achieved celebrity status when he provided perfect responses
in ancient prose for his civil service exams.
For the next twenty years he held a variety of government posts,
and was particularly known for his economic policies
and construction of many public projects, including the “Su’di”,
the pedestrian causeway cross the West Lake
that’s been romanticized by poets and painters for centuries.

However, political changes meant he fell out of favour
from time to time and was banished repeatedly for his open criticism
of the dominant “New Policy Group”.
During his long exiles to the lush and remote Hubei province
and Hainan Island, Su Shi committed to Buddhist meditation
and produced some of the most wellknown poems
and calligraphy ever published in the Chinese language.
While living on a farm, he adopted his literati name,
“Dong’po”, meaning “eastern slope”.

His popularity surged after his death in 1101 as he became
the revered and mythical namesake for numerous landmarks
and the subject of countless paintings and poems.
Manuscripts by Su Shi are among the most sought-after objects
in Chinese history.

The Gongfu Calligraphy
Although just nine characters long
The Gong Fu Tie Calligraphy has resonated with scholars for centuries
who have recognized its technical sophistication as well as
the Su Shi’s humanism it so beautifully embodies.
The piece has been recorded in many of the most authoritative books
on Chinese art and been lavished with praise,
with the well-known author Weng Fanggang describing it
as ‘a divine piece of calligraphy.’
This work was completed mid-way through the artists career
in his mature period and is a goodbye letter
to Su Shi’s fellow artist Guo Gufu (1035-1113)
a close friend despite differing political views.


 photo WillemDeKooningThePrivelegedUntitledXX1985OilOnCanvas.jpg

Willem de Kooning, The priveleged (Untitled XX), 1985, oil on canvas.


 photo ZengFanzhiTheLastSupper2001OilOnCanvas.jpg

Zeng Fanzhi, The Last Supper, 2001, oil on canvas.


Kunstvaria

Carnaval 2008 is begonnen.
De eerste ijskoude sneeuwbui hebben we al op onze kop gehad.
De smink was toen ik thuis kwam al ver van mijn gezicht geregend.
Het waaide ook erg hard.
Dus beginnen we vandaag met een carnavals kunstwerk:

Pieter Breughel de jongere, Battle of carnaval.

En dan de reguliere serie, het thema is deze keer,
zoals vaak: Mooi!

Claude Monet, The Doges Palace at Venice, 1908.

David Montgomery, Grace Coddington Five Point Cut, Vidal Sassoon, 1964.

Donato di Betto Bardi, ook bekend als Donatello,
The San Felice Madonna, ongeveer 1450 – 1460.

Waaier uit de collectie van de Nederlandse koninklijke familie.
Je Maintiendrai.

Idem, detail, helaas werd er geen datum vermeld. Ook de maker niet.

Herv Wahlen.
Helaas werd alleen de naam van de maker vermeld.
Normaal neem ik een werk zonder gegevens niet op,
maar dit is wel een heel mooi voorbeeld
van het werk van deze kunstenaar/ambachtsman.

Jae Ko, Untitled, 2007.
Deze kunstenaar experimenteerd met papier in alle vormen.
Plakt het op elkaar, maakt het nat, maakt allerlei vormen.

Lucas Cranach the elder, The Golden Age, (ik neem aan het Paradijs),
ongeveer 1530.

Pieter Brueghel the younger, Winterlandschap met schaatsers, na 1616.

Robert Capa, Loyalist Militiaman at the moment of death,
Cerro Muriano, 5 september 1936.

Shinjo Ito, Bodhisattva Samantabhadra, 1978.

Tapani Raittila, Satamakuva, 1989.

We zien niet vaak werk uit Scandinavie.
Dit is erg mooi.

Yue Minjun, Big Swans, 2003.